Metamorfose - Livros do Brasil (Edições Especiais Ilustradas)

Info On The Book:

The Metamorphosis (German: Die Verwandlung, also sometimes termed The Transformation) is a novella by Franz Kafka, first published in 1915. It is often cited as one of the seminal works of fiction of the 20th century and is widely studied in colleges and universities across the western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed into a monstrous insect-like creature.

Plot summary

Part I

One day Gregor Samsa, a traveling salesman, wakes up to find himself transformed into a giant insect. Confused, he looks around his room which appears normal. He decides to fall asleep again and forget what happened in the hope that everything will revert to normal. He tries to roll over to his right but discovers that he cannot due to his new body - he is stuck on his hard, convex back. He feels an itch on his stomach and tries to touch the area with his leg. He retracts immediately as the area was highly sensitive.
He reflects on how dreary life as a traveling salesmen is and how he would quit his job if his family were not dependent on his income. He looks at the wall clock and realizes that he has overslept and missed his train for work. Gregor's mother knocks on the door and he answers her. She is concerned for Gregor because he is late for work, which is unorthodox for Gregor. Gregor answers his mother and realizes that his voice has changed, but his answer is short so his mother does not notice the voice change. His sister, Grete, to whom he was very close then whispers through the door and begs him to open the door. All his family members think that he is ill and ask him to open the door. He tries to get out of bed but he is incapable of moving his body. While trying to move, he finds that his office manager has showed up to check up on him. He finally rocks his body to the floor and calls out that he will open the door shortly.
Feeling offended by Gregor's delayed response in opening the door, the manager warns him of the consequences of missing work. He adds that his recent performance has been unsatisfactory. Gregor disagrees and tells him that he will open the door shortly. Nobody on the other side of the door could understand a single word he uttered (Gregor was unaware of the fact that his voice has also transformed) and conclude that he is seriously ill. Finally, Gregor manages to unlock and open the door with his mouth. He apologizes to the office manager for the delay. Horrified by the sight of Gregor's appearance, the manager bolts out of the apartment. Gregor tries to catch up with him but his father drives him back into the bedroom with a cane and a rolled newspaper. Gregor injures himself squeezing back through the doorway, and his father slams the door shut. Gregor, exhausted, falls asleep.

Part II

Gregor wakes and sees that someone has put milk and bread in his room. Initially excited, he quickly discovers that he has no taste for milk, once one of his favorite foods. He settles himself under a couch. The next morning, his sister comes in, sees that he has not touched the milk, and replaces it with rotting food scraps, which Gregor happily eats. This begins a routine in which his sister feeds him and cleans up while he hides under the couch, afraid that his appearance will frighten her. Gregor spends his time listening through the wall to his family members talking. They often discuss the difficult financial situation they find themselves in now that Gregor can’t provide for them. Gregor also learns that his mother wants to visit him, but his sister and father will not let her.
Gregor grows more comfortable with his changed body. He begins climbing the walls and ceiling for amusement. Discovering Gregor’s new pastime, Grete decides to remove some of the furniture to give Gregor more space. She and her mother begin taking furniture away, but Gregor finds their actions deeply distressing. He tries to save a picture on the wall of a woman wearing a fur hat, fur scarf, and a fur muff. Gregor’s mother sees him hanging on the wall and passes out. Grete calls out to Gregor—the first time anyone has spoken directly to him since his transformation. Gregor runs out of the room and into the kitchen. . The father throws apples at Gregor, and one sinks into his back and remains lodged there. Gregor manages to get back into his bedroom but is severely injured.

Part III

One evening, the cleaning lady leaves Gregor’s door open while the boarders lounge about the living room. Grete has been asked to play the violin for them, and Gregor creeps out of his bedroom to listen. The boarders, who initially seemed interested in Grete, grow bored with her performance, but Gregor is transfixed by it. One of the boarders spots Gregor and they become alarmed. Gregor’s father tries to shove the boarders back into their rooms, but the three men protest and announce that they will move out immediately without paying rent because of the disgusting conditions in the apartment.
Grete tells her parents that they must get rid of Gregor or they will all be ruined. Her father agrees, wishing Gregor could understand them and would leave of his own accord. Gregor does in fact understand and slowly moves back to the bedroom. There, determined to rid his family of his presence, Gregor dies.
Upon discovering that Gregor is dead, the family feels a great sense of relief. The father kicks out the boarders and decides to fire the cleaning lady, who has disposed of Gregor’s body. The family takes a trolley ride out to the countryside, during which they consider their finances. Months of spare living as a result of Gregor’s condition have left them with substantial savings. They decide to move to a better apartment. Grete appears to have her strength and beauty back, which leads her parents to think about finding her a husband.

Characters

Gregor Samsa

Gregor is the main character of the story. He works as a traveling salesman in order to provide money for his sister and parents. He wakes up one morning as a large insect-like creature. After the metamorphosis, Gregor is unable to work. This prompts his family to begin working once again.
The name "Gregor Samsa" appears to derive partly from literary works Kafka had read. The hero of The Story of Young Renate Fuchs, by German-Jewish novelist Jakob Wassermann (1873–1934), is a certain Gregor Samsa. The Viennese author Leopold von Sacher-Masoch, whose sexual imagination gave rise to the idea of masochism, is also an influence. Sacher-Masoch (note the letters Sa-Mas) wrote Venus in Furs (1870), a novel whose hero assumes the name Gregor at one point. A "Venus in furs" literally recurs in The Metamorphosis in the picture that Gregor Samsa has hung on his bedroom wall.^[1] The name Samsa is similar to Kafka in its play of vowels and consonants: "Five letters in each word. The S in the word Samsa has the same position as the K in the word Kafka. The A "is in the second and fifth positions in both words."^[2]
Gregor Samsa appears to be based upon Kafka himself. As when Kafka suffered from insomnia he feared he was repulsive and a burden to his family, during this time his sister was his caretaker.^[3]

Grete Samsa

Grete is Gregor's younger sister, who becomes his caretaker after his metamorphosis. Initially Grete and Gregor have a close relationship but this quickly fades. While Grete initially volunteers to feed him and clean his room, she grows more and more impatient with the burden and begins to leave his room in disarray out of spite. She plays the violin and dreams of going to the conservatory, a dream Gregor had intended to make happen. Gregor planned on making the announcement on Christmas Day. To help provide an income for the family after Gregor's transformation, she starts working as a salesgirl.

Mr. Samsa

Mr. Samsa is Gregor's father. After the metamorphosis, he is forced to return to work in order to support the family financially. His attitude towards his son is harsh; he regards the transformed Gregor with disgust and possibly even fear. Mr. Samsa may have been based on Kafka's father, who treated Kafka harshly.

Mrs. Samsa

Mrs. Samsa is Grete and Gregor's mother. She is initially shocked at Gregor's transformation, however she wants to enter his room. This proves too much for her, thus giving rise to a conflict between her maternal impulse and sympathy and her fear and revulsion of Gregor's new form.


Above Extracts & Below Image: http://en.wikipedia.org/wiki/The_Metamorphosis

Dostoievski

About Fyodor Dostoyevsky:

Fyodor Mikhaylovich Dostoyevsky^[1] (Russian: Фёдор Михайлович Достоевский; IPA: [ˈfʲodər mʲɪˈxajləvʲɪtɕ dəstɐˈjefskʲɪj] ( listen); November 11, 1821 – February 9, 1881^[2]) was a Russian writer of novels, short stories and essays. He is best known for his novels Crime and Punishment, The Idiot and The Brothers Karamazov.
Dostoyevsky's literary works explore human psychology in the troubled political, social and spiritual context of 19th-century Russian society. With the embittered voice of the anonymous "underground man", Dostoyevsky wrote Notes from Underground (1864), which has been called the "best overture for existentialism ever written" by Walter Kaufmann.^[3] He is often acknowledged by critics as one of the greatest and most prominent psychologists in world literature.^[4]

Early life

Childhood

Fyodor Dostoyevsky was born on 30 October 1821 (11 November 1821, according to the Gregorian Calendar) as the second child of Mikhail Dostoyevsky and Maria Nechayeva. His father, who descended from a Lithuanian noble family, resided nearby in the Belarussian city of Pinsk. Like his father, Mikhail was a clergyman but when he refused to join a seminary, his family divorced. Subsequently Mikhail escaped from home. When he unsuccessfully searched for his family, he gave up and at the age of 20 then went to the Moscow Medical Surgical University, where he was appointed senior physician in 1818. In 1819 he married the eleven-years younger Maria. One year later he resigned from military service to move to a hospital. After the birth of Mikhail and Fyodor, Mikhail was able to retrieve his lost title and acquire a manor 150 verst of Moscow. Maria Nechayeva descended from a family of Russian merchants.^[5]
Dostoyevsky was raised near the hospital—it was neither a wealthy nor a poor home. In his childhood, Fyodor often went with his family to summer visits in Darovoye. At the age of three he discovered heroic sagas, fairy tales, legends and a deeply ingrained piety from nannies. He was soon obsessed with tales. The nanny Alina Frolovna, who helped the family when their manor burnt down, and the serf and farmer Marei from Darovoye, who helped to fight his early hallucinations, possibly caused by the terrible tales, were influential for his childhood. Fyodor also discovered the miserable hospital garden, which was separated by a large grid from their civil and protected private garden. His parents forbade him the contact with the other side, as they intended to shield their children from uncontrollable influences. Fyodor, however, ignored their warnings and often talked with the reconvalescent people. There he also encountered a crime between a nine-year-old girl, who was found raped in the garden. He never forgot this traumatic experience.^[6]
Fyodor's parents placed value on a thorough upbringing. At the age of four he learned reading and writing by his mother from the Bible. One of the day's highlights were the evening readings by his father and mother. His parents introduced him at an early stage to Russian literature, such as Karamzin's Russian Tales, Pushkin, Derzhavin, as well as English literature of Ann Radcliffe and German literature of Friedrich Schiller. Fyodor was impressed by the latter's play "Räuber", which he saw at the age of 10. Fyodor and Mikhail both enjoyed Pushkin's poems, which they learned for the most part by heart; Pushkin's death was a shock for the whole family. Fyodor's father placed also value on a good education. He sent Fyodor first to a French boarding school and then to the best private high school in Moscow, the "College for Noble Male Children". As the school was too expensive, he had to make loans, take advances and extend his private practice. When the thirteen-year-old Fyodor arrived to this famous college, he experienced an inferiority complex towards his more polite classmates. This feeling was often documented on his works, especially The Adolescent.^[7]

Youth

In 27 September 1837 his mother died of tuberculosis. Fyodor contracted a serious throat disease.^[8] Subsequently, Fyodor and his brother Mikhail were sent around May to St Petersburg to attend the Nikolayev Military Engineering Institute, while their younger siblings were sent to different families. Fyodor and Mikhail had to abandon the academic education at the Moscow college, as their adoptive parents were not able to pay for the schoolfee. Fyodor's career, however, seems to be apparent, as his father expected a space at the academy for his sons, and the political propensity under Nicholas I allowed them a good military professional career. On the way to St. Petersburg, Fyodor became a witness of a violence on violence situation in a posting house; one member of the military police beat the carter's neck, and the carter subsequently passed his pain to the horse through a whiplash; Fyodor betook to this situation on his book A Writer's Diary. At the academy he was separated from his brother, who was later sent to Reval, Estonia due to his poor health and the better studying conditions.^[8] Fyodor passed the entrance exam and entered the academy in 16 January the next year, but only with the help of godmothers, who paid the schoolfee for the unaware Fyodor.^[9]
Fyodor did not enjoy the academy, primarily because of his lack of interest in the subjects science, mathematics and military application, as he rather preferred drawing and architecture, and the atmosphere. The academy was a former castle built for the tsar Paul I, who was murdered shortly after his accession to the throne. Among the 120 classmates, mainly from Polish or Baltic-German descent, he was an outsider due to his different character; Fyodor was brave and had a strong sense of justice as against to the clownish and brutal class fellows. He protected newcomers, aligned oneself with teachers, criticized the corruption among officers and helped poor farmers. Although he was a loner and lived in his own literary world, his classmates showed respect for him. Fyodor was called "Monk Photius" because of his reclusive way of life and his interest in religion.^[10][8]
The first strong presence of epilepsy occurred on Fyodor after receiving a message of the death of his father. Mikhail was murdered in 1839 by his adscript peasant; the cause was one of Mikhail's irascibility attacks. Fyodor continued the disliked study. When he passed the exams and obtained the rank as ingenieur cadet, he was given the right to live off-site.^[10] After his short visit to brother Mikhail in Reval, Fyodor often went to concerts, operas, theatres and balletts, and discovered gambling by two friends. His independence was responsible for the financial troubles.^[8] In August 1843 he received an employment as a draftsman. In the meantime, Fyodor lived in an apartment of German-Baltic Dr. A. Riesenkampf, a friend of his brother Mikhael. Like in his childhood at the hospital, he showed interest in the ill people from the lower class.^[10] Aside this, he began to translate George Sand's La dernière Albini and Balzac's Eugénie Grandet, and upon the advice Schiller's Räuber, Don Carlos among others.^[8] With the help of his translations, he could obtain some money. His job became more and more humiliating. After quitting a duty travel, he was released in 19 October 1844 as a lieutenant. Fyodor was in financial troubles, so he decided to write his own novel.^[10]

Death

Dostoyevsky died in St. Petersburg on 9 February [O.S. 28 January] 1881 of a lung hemorrhage associated with emphysema and an epileptic seizure. The copy of the New Testament given to him in Siberia sat on his lap. He was interred in Tikhvin Cemetery at the Alexander Nevsky Monastery in Saint Petersburg. Forty thousand mourners attended his funeral.^[22] His tombstone is inscribed with the words of Christ, Verily, verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit. (from the Gospel According to John 12:24) – which are also the epigraph of his final novel, The Brothers Karamazov.)
The rented apartment where Dostoevsky spent the last few years of his life and wrote his last novel, The Brothers Karamazov, and where he died is situated at 5 Kuznechnyi pereulok. It has been restored, by reference to old photographs, as it looked when he lived there, and opened in 1971 as the Dostoyevsky House Museum. It is a popular tourist attraction in Saint Petersburg.^[23]


Source Material: http://en.wikipedia.org/wiki/Fyodor_Dostoyevsky

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