Últimos Escritos

Info About & Related With The Content of The Book:
http://www.almedina.net/catalog/product_info.php?products_id=6557
http://www.wook.pt/ficha/ultimos-escritos/a/id/11236936
https://www.goodreads.com/book/show/12381.Wilderness
http://www.goodreads.com/book/show/535734.The_American_Night
http://www.amazon.com/Jim-Morrisons-American-Prayer-Morrison/dp/0915628465
http://www.amazon.com/Wilderness-Lost-Writings-Morrison-Volume/dp/0679726225
http://www.amazon.com/The-American-Night-Writings-Morrison/dp/0394587227

( https://en.wikipedia.org/wiki/Jim_Morrison#By_Morrison )

Os Mestres e as Criaturas Novas (The Lords and the New Creatures)

About The Lords: Notes on Vision
(from wikiquote...):


The Lords: Notes on Vision

• Yoga powers.
  To make oneself invisible or small.
  To become gigantic and reach to the farthest things.
  To change the course of nature.
  To place oneself anywhere in space or time.
  To summon the dead.
  To exalt senses and perceive inaccessible images, of events on other worlds,
  in one's deepest inner mind, or in the minds of others.

• (Windows work two ways, mirrors one way.)
  You never walk through mirrors or swim through windows.

• The world becomes an apparently infinite,
  yet possibly finite, card game.
  Image combinations,
  permutations,
  comprise the world game.

• Cinema has evolved in two paths. One is spectacle. Like the phantasmagoria, its goal is the creation of a total substitute sensory world. The other is peep show, which claims for its realm both the erotic and the untampered observance of real life, and imitates the keyhole or voyeur's window without need of color, noise, grandeur.

• The subject says "I see first lots of things which dance — then everything becomes gradually connected".

• Few would defend a small view of Alchemy as "Mother of Chemistry", and confuse its true goal with those external metal arts. Alchemy is an erotic science, involved in buried aspects of reality, aimed at purifying and transforming all being and matter. Not to suggest that material operations are ever abandoned. The adept holds to both the mystical and physical work.

• They can picture love affairs of chemicals and stars, a romance of stones, or the fertility of fire. Strange, fertile correspondences the alchemists sensed in unlikely orders of being. Between men and planets, plants and gestures, words and weather.

• Cinema returns us to anima, religion of matter, which gives each thing its special divinity and sees gods in all things and beings. Cinema, heir of alchemy, last of an erotic science.

• The Lords. Events take place beyond our knowledge or control. Our lives are lived for us. We can only try to enslave others. But gradually, special perceptions are being developed. The idea of the "Lords" is beginning to form in some minds. We should enlist them into bands of perceivers to tour the labyrinth during their mysterious nocturnal appearances. The Lords have secret entrances and they know disguises. But they give themselves away in minor ways. Too much glint of light in the eye. A wrong gesture. Too long and curious a glance.

• More or less, we're all afflicted with the psychology of the voyeur. Not in a strictly clinical or criminal sense, but in our whole physical and emotional stance before the world. Whenever we seek to break this spell of passivity, our actions are cruel and awkward and generally obscene, like an invalid who has forgotten to walk.

( http://en.wikiquote.org/wiki/Jim_Morrison#The_Lords:_Notes_on_Vision )

About The New Creatures

(from wikiquote...):

The New Creatures

• I can't believe this is happening
  I can't believe all these people
  are sniffing each other
  & backing away
  teeth grinning
  hair raised, growling, here in
  the slaughtered wind

• Do you dare
  deny my
  potency
  my kindness
  or forgiveness?

• Camel caravans bear
  witness guns to Caesar.
  Hordes crawl and seep inside
  the walls. The streets
  flow stone. Life goes
  on absorbing war. Violence
  kills the temple of no sex.

• Cool pools
  from a tired land
  sink now
  in the peace of evening
  Clouds weaken
  and die.
  The sun, an orange skull,
  whispers quietly, becomes an
  island, & is gone. There they are
  watching
  us everything
  will be dark.
  The light changed.
  We were aware
  knee-deep in the fluttering air
  as the ships move on
  trains in their wake.

• This is it
  no more fun
  the death of all joy
  has come.

( http://en.wikiquote.org/wiki/Jim_Morrison#The_New_Creatures )

More Info: http://www.amazon.com/Lords-New-Creatures-Jim-Morrison/dp/0671210440 - https://www.facebook.com/pages/Jim-Morrison-The-Lords-and-the-New-Creatures/142586352491924 - https://en.wikipedia.org/wiki/Jim_Morrison

Rimbaud e Jim Morrison: Os Poetas Rebeldes

About Wallace Fowlie:

Wallace Fowlie (1908–1998) was an American writer and professor of literature. He was the James B. Duke Professor of French Literature at Duke University from 1964. Known for his translations of the poet Arthur Rimbaud and his critical studies of French poetry and drama, he also wrote about rock-poet Jim Morrison. Perhaps his most enduring legacy, however, is the product of six decades of teaching at universities in the United States, including Yale, Bennington, Holy Cross, U. Colorado-Boulder, and Duke. Devoted to teaching, particularly undergraduate courses in French, Italian, and modernist literature, Fowlie influenced several generations of American college students.
Fowlie received a John Simon Guggenheim Memorial Foundation fellowship in 1947.^[1]
Fowlie corresponded with literary figures such as Henry Miller, René Char, Jean Cocteau, André Gide, Alexis Léger (Saint-John Perse), Marianne Moore, and Anaïs Nin.^[2] His translations of Rimbaud were appreciated by a younger generation that included Jim Morrison and Patti Smith.^[3] In 1990, Fowlie consulted with director Oliver Stone on the film The Doors.^[2]

Works

• Age of Surrealism (1950)
• André Gide: His Life and Art (1965)
• Aubade: A Teacher's Notebook (1983) ISBN 0-8223-0566-6
• Characters from Proust: Poems (1983) ISBN 0-8071-1071-X
• Claudel (Studies in Modern European Literature and Thought) (1957)
• Climate of Violence: The French Literary Tradition from Baudelaire to the Present (1967)
• Clowns And Angels: Studies In Modern French Literature (1943)
• The Clown's Grail: A Study of Love in Its Literary Expression (1947)
• De Villon à Péguy (Editions de l'Arbre, Montreal, 1944)
• Dionysus in Paris: A Guide to Contemporary French Theater (1960)
• Ernest Psichari (Ernest Green & Co., New York, Toronto, 1939)
• From Chartered Land (William R Scott, New York, 1938)
• Jean Cocteau: The History of a Poet's Age (1966)
• Journal of Rehearsals: A Memoir (1997) ISBN 0-8223-1945-4
• Intervalles (A. Magne, Paris, 1939, published under pen name Michel Wallace)
• La Pureté dans l'Art (Editions de l'Arbre, Montreal, 1941)
• Letters of Henry Miller and Wallace Fowlie (1975)
• Mallarmé (Dennis Dobson, London; University of Chicago, Chicago, 1953)
• Matines et Vers (Paris, 1936; published under pen name Michel Wallace)
• Memory: A Fourth Memoir (1990) ISBN 0-8223-1045-7
• Poem and Symbol: A Brief History of French Symbolism (1990) ISBN 0-271-00696-X
• A Reading of Dante's Inferno (1981) ISBN 0-226-25888-2
• Rimbaud: Complete Works, Selected Letters (1966) ISBN 0-226-71973-1. (Revised, 2005, ISBN 0-226-71977-4)
• Rimbaud and Jim Morrison: The Rebel as Poet (1994) ISBN 0-8223-1442-8
• Rimbaud's Illuminations, A Study in Angelism (1953)
• Rimbaud, the Myth of Childhood (1946)
• Sites: A Third Memoir (1986) ISBN 0-8223-0700-6
• Stendhal (1969)
• Charles Baudelaire Selected Poems from "Flowers of Evil" (1963) ISBN 0-486-28450-6

Extracts Taken From: http://en.wikipedia.org/wiki/Wallace_Fowlie

More Info: http://www.amazon.com/Rimbaud-Jim-Morrison-Rebel-Poet/dp/0822314452 - http://en.wikipedia.org/wiki/Jim_Morrison - http://en.wikipedia.org/wiki/Arthur_Rimbaud